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» » Hootie & The Blowfish - Scattered, Smothered & Covered
Hootie & The Blowfish - Scattered, Smothered & Covered flac-Album

Hootie & The Blowfish - Scattered, Smothered & Covered flac-Album

Darsteller:
Hootie & The Blowfish
Album:
Scattered, Smothered & Covered
Land:
Freigegeben:
2000
Label:
Atlantic
Katalog:
83408-4
Genre:
Stil:
Southern Rock
Größe des MP3-Archivs:
1195 mb
Größe des FLAC-Archivs:
1520 mb

Trackliste

1Hey Hey What Can I Do
Mandolin – Peter HolsappleMixed By [Assisted By] – Jim Goodwin Recorded By [Assisted By] – Mark Williams Written-By – Jimmy Page, John Bonham, John Paul Jones, Robert Plant
3:52
2Before The Heartache Rolls In
Written-By – Bill Lloyd , Radney Foster
4:24
3Please, Please, Please Let Me Get What I Want
Acoustic Guitar – Dean Felber, Jim SonefeldElectric Guitar [12 String] – Jamie HooverEngineer [Assisted By], Mixed By [Assisted By] – Tracy SchroederEngineer, Mixed By – Mark Williams Mandolin [Electric] – Mark BryanWritten-By – John Marr, Steven Morrissey
1:50
4Almost Home
Engineer [Assistant] – Liz Sroka, Wade NortonHarmony Vocals – Gena RankinWritten-By – John Croslin
3:51
5Driver 8
Engineer – Don Gehman, Doug TrantowEngineer [Assistant] – Curt Kroeger, Roger SommersHarmony Vocals – Susan CowsillMixed By – Dave LeonardMixed By [With] – Don Gehman, Doug TrantowWritten-By – Thomas William Berry, John Michael Stipe, Michael E. Mills, Peter Lawrence Buck
4:27
6Use Me
Baritone Saxophone [Baritone Sax] – Craig ShieldsEngineer [Assisted By] – Dave Puryear, Tracy SchroederPercussion – Gary GreeneProducer, Engineer, Mixed By – Don Dixon, Mark Williams Vocals [Co-vocal] – Edwin McCainWritten-By – Bill Withers
5:01
7I Hope That I Don't Fall In Love With You
Engineer – John HarrisRecorded By, Mixed By – Don GehmanWritten-By – Tom Waits
2:58
8Dream Baby
Backing Vocals – The Walker SistersEngineer – Don Gehman, Tracy SchroederKeyboards [Wurlitzer] – Mark BryanProducer, Mixed By – Don GehmanWritten-By – Cindy Walker
3:00
9I Go Blind
Engineer [Assistant] – Liz Sroka, Wade NortonOrgan – Tim SommerWritten-By – Neil Osborne
3:14
10A Fine Line
Engineer – Wade NortonEngineer [Assistant] – Liz SrokaHarmony Vocals – Gena RankinWritten-By – Radney Foster
3:32
11Araby
Written-By – John Croslin
2:49
12Let Me Be Your Man
Engineer [Assisted By], Mixed By [Assisted By] – Tracy SchroederEngineer, Mixed By – Mark Williams Organ – Jamie HooverWritten-By – Gregory K. Ritchey
3:04
13Gravity Of The Situation
Bass – Ron De La VegaGuitar – Doug LancioMandolin – Mark BryanOrgan [Hammond B3] – James HookerPercussion – Pat McInerneyVocals – Nanci GriffithWritten-By – Rob Veal, James Victor Chestnut
4:36
14I'm Over You
Guitar [Fade Out Guitar Solo] – Darius RuckerWritten-By – Bob Rupe, Walter Salas Humara
4:18
15Renaissance Eyes
Written-By – Don Dixon
5:04

Credits

  • Art Direction, DesignBenjamin Niles
  • Bass, VocalsDean Felber
  • EngineerDon Gehman (tracks: 1 to 9)
  • Engineer [Live Sound]Billy Huelin
  • Guitar [Guitars], VocalsMark Bryan
  • KeyboardsJohn Nau
  • ManagementRusty Harmon
  • Management [Product Management]Lee Stimmel
  • Mixed ByDon Gehman (tracks: 1 to 11)
  • Other [Assistant Stylist] – Daria Hines
  • Other [Hair & Make-up] – David Shannon
  • Other [Stylist] – Seble Maaza
  • Percussion, Drums, VocalsJim Sonefeld
  • Photography By [Back]Elizabeth Stockton
  • Photography By [Band]Lorenzo Agius
  • Photography By [Cover]John Codling, Matt Wilson
  • ProducerDon Gehman (tracks: 1 to 12)
  • Remix, Mastered ByDon Gehman, Mark Dearnley
  • Vocals, Guitar [Guitars]Darius Rucker

Anmerkungen

1 to 12: Produced for Rhapsody Productions Inc.

This record is dedicated to and in appreciation of our fans and friends everywhere.

This compilation ℗©2000 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside the United States. All Rights Reserved. Printed in U.S.A.

12-page booklet contains credits, track-by-track commentary, photos & artwork.

Promotional copy exists. Booklet front cover is stamped in gold lettering:
"FOR PROMOTIONAL USE ONLY. SALE OR OTHER TRANSFER IS PROHIBITED. MUST BE RETURNED ON DEMAND OF RECORDING COMPANY."
CD is marked as above but with silver lettering.

Barcodes

  • Barcode (Text): 0 7567-83408-2 6
  • Barcode (String): 075678340826
  • Matrix / Runout: wea mfg. Y14058 3 83408-2 01
  • Matrix / Runout (Stamped): M183
  • Mould SID Code: IFPI 2U21

Unternehmen

  • Phonographic Copyright (p) – Atlantic Recording Corporation
  • Copyright (c) – Atlantic Recording Corporation
  • Pressed By – WEA Mfg. Olyphant – Y14058

Album

Scattered, Smothered and Covered is a covers album by Hootie and the Blowfish, released in 2000. The album was named in honor of Waffle House, a southern restaurant chain. One of Waffle House's advertising campaigns used the phrase scattered, smothered and covered, a reference to hash browns ordered prepared with onions and cheese. Scattered, Smothered and Covered at Metacritic. Songs in album Hootie & The Blowfish - Scattered, Smothered & Covered 2000. Hootie & The Blowfish - Fine Line. Hootie & The Blowfish - I Go Blind. Hootie & The Blowfish - Almost Home. Hootie & The Blowfish - Hey Hey What Can I Do. Hootie & The Blowfish - Renaissance Eyes. Hootie & The Blowfish - Before The Heartache Rolls In. Hootie & The Blowfish - Araby. Hootie & The Blowfish - I&ap. Hootie & the Blowfish. Musical Chairs. Live: Coach House, San Juan, Capistrano, CA 12 Nov '94 Remastered. 90s Soft Rock Essentials. Hootie & The Blowfish Essentials. Hootie & The Blowfish: Next Steps. Albums You May Also Like. Scattered, Smothered and Covered. Released 2000. Scattered, Smothered & Covered Tracklist. Fine Line free to Hootie & The Blowfish Scattered, Smothered And Covered Fine Line, I Go Blind and more. 15 tracks 55:28. Scattered, Smothered And Covered. Released: Oct 2000. Your Score. 0 out of 10. Rate this: 10. They're amiable, good-humored, earnest, and as likeable as the local band that also played Driver 8 every Saturday night. Read full review. Rolling Stone. This covers compilation reveals them as an honorable South Carolina bar band that has survived its run-in with pop success by keeping its easygoing humor intact